Youโre reading an excerpt of Creative Doing, by Herbert Lui. 75 practical techniques to unlock creative potential in your work, hobby, or next career. Purchase now for instant, lifetime access to the book.
Like many people aspiring to do creative work, I wasnโt born into a family of artists, or into unearned income that would enable me to pursue my art full-time. I didnโt participate in any talent shows, Iโve dealt with years of underestimating myself, and I wasnโt taught how to be creative in school. I wrote, and rewrote, this book not because Iโm a creative genius revealing a secret, but because it was the book I needed to read.
I have been obsessed with the mystery of the creative process for over a decade. Successful artists had figured out how to do great creative work. Why couldnโt I?
I sought out every chance to find an answer. In the first half of the 2010s, I pored through academic literature, biographies, and memoirs. I interviewed prominent recording artists and authors on their processes. I seized every opportunity I could to ask people about their creative processes and for detailed examples of what they did to make their work. I immersed myself in a study of each individualโs creative process itselfโthe observable parts of ideation, creation, and release.
Creative work sounds simple enough (โJust make stuff!โ), but it can feel painful when you donโt know how to make sense of it. For many years, I experienced a version of the creative block that might sound familiar: numbness. I wrote at a media company, started an editorial studio, and supported other peopleโs creative projects with marketing. I felt I had to suppress my true creative urges in order to make money. I tried my best to make it work.
Because I had so little time for the creative work I wanted to doโto write and express my own ideasโI became completely attached to the results I could attain. I wasnโt practicing, I was pushing. After months and years of this struggle, I realized that I was missing a piece of the puzzle: my own creative purpose.
Finding my creative purpose involved letting go of every impulse and habit that made me successful at my work projects, and shifting my focus away from results into the process. Process is about consistently making time and energy to practice every day, rather than intensely pursuing a creative project and then burning out, falling out of love with it, and becoming resentful. Itโs about creating a lot of work that meets a standard I set for myself. Thereโs a chance you probably feel the same way I did; that throughout each day, the thought comes to you, โIโm meant to do something, and itโs not whatโs in front of me right now.โ What does it mean when you find yourself creatively blocked? What if that wave of inspiration never comes, and how are you supposed to know how long to wait? What if you canโt get started, or begin but donโt finish, or are always too busy with everything else?
Great ideas arenโt found, theyโre made, through consistent creative practice. Creative thinking comes from creative doing.
Influential painter Chuck Close said in an interview for Inside the Painterโs Studio:
Inspiration is for amateursโthe rest of us just show up and get to work. And the belief that things will grow out of the activity itself and that you willโthrough workโbump into other possibilities and kick open other doors that you would never have dreamt of if you were just sitting around looking for a great โart idea.โ